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The development then becomes more free, it is crowned by the whirl of a complex passage, changing from one hand to the other (Bars 17-18), with persistent repetitions of the F of the second octave. The themes change from one register to the next, are horizontally mixed with one another (in Bar 1 the second theme begins a crotchet later than the first, and vice versa in Bar 2), and the infinite canon technique is used (in the second theme, Bars 5-6).

Further, the contrasting juxtapositions of themes and their elements, emphasized by sudden falls of dynamic and plays on tones acquire a major role. The expressive nature is already set from the first bar in the harmonically sharp conjugation of the two declamatory themes quintuple and quadruple, which draws them into numerous polyphonic adventures. The Marching The piece is reminiscent of a military-scherzo vigorous march with tarantella accents (triplet motifs). The form of both pieces is tripartite, the outer sections are built on a contrast of energetic themes (roll-calls, confrontation of voices), with jocular episodes appearing in the middle sections, in which a paraphrase of Haydn melodies can be clearly discerned. Their musical development is distinguished by the prominent themes and bright theatrical dramaturgy. ?OMMENTARY Marching and Dancing Two-Voice Textures are playful dance-like grotesque scenes, examples of playful polyphony. Hopefully, this is a good chance for every performer to find something most unique, though yet unknown, but able to enrich both beginners and adults.

Convenient transliteration is offered for foreign users (taking into consideration both spelling and pronunciation). Several variants are adduced, if both pre-revolution and Soviet librettos are used, and distinguished vocalists interpretations are well-known.

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Many scenes and arias are given as full versions with prior recitatives and introductions, so as finals and their performing variants. Meanwhile every specified collection includes several vocal pieces without any timbre definition. The other way of sorting is based on voices scale (from soprano up to basso). Editors main objective is the complete publication of opera scenes and arias useful to both concert and educational practice. Every publication is dedicated to either the Russian or European music from classics to nowadays.

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The 'Compozitor Publishing House Saint-Petersburg' presents the new series of vocal collection consisting of the opera excerpts. Soderzhanie: ZARJADKA UBEREM SO STOLA UCHIMSJa SHIT UCHIMSJa VJAZAT U KOGO KOLECHKO? TRI TSARSTVA IGRA V MAGAZIN CHTO Ja ZAGADAL? OTNESEM PAPE CHAJu PISMO NEAKKURATNYJ MALCHIK UGOSCHAJTES, POZHALUJSTA STRAUS ZHAVORONOK MALENKIE POMOSCHNIKI 9785061567556.Д¬ondition: new. Vse pesni soderzhat elementy igry, zvukopodrazhanija i legko mogut byt instsenirovany. Anglijskie teksty dajutsja v svobodnom perevode. Napisannye v dostupnoj i uvlekatelnoj forme pesni pomogut ovladet anglijskoj leksikoj i vyrabotat pravilnoe proiznoshenie. Izdanie adresovano detjam mladshego vozrasta, nachinajuschim izuchat anglijskij jazyk, i mozhet byt ispolzovano na zanjatijakh anglijskim jazykom v detskom sadu, shkole i doma. V sborniki 'Pesenka i ja vernye druzja' vkljucheny anglijskie i amerikanskie narodnye detskie pesni.